Huda Takriti

  1. It Is Always Midnight In Their Minds
  2. Re-Readings
  3. Anatomy of an Endless Scene
  4. On Another Note
  5. Revisitation. In Three Acts
  6. Clarity is the Closest Wound to the Sun
  7. Notes on/for a Film
  8. Fluid Grounds (Video)
  9. Fluid Grounds
  10. Against Nostalgia
  11. Refusing to Meet Your Eye
  12. Of Cities and Private Living Rooms
  13. Les Yeux Dans Les Yeux
  14. The Euphoric Nights in Vienna: Here and Elsewhere
  15. Starry Nights
  16. A Storytelling; I only wish I could be there...

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Re-Readings
They Talk to Me About Progress; Oil is Never Visible but Always Present; Access Points


Re-Readings; They Talk to Me About Progress
Digital photo montage, UV print on backlit fabric in a customised aluminium light box
36x27 cm2026



Re-Readings; Access Points
Digital photo montage, UV print on backlit fabric in a customised aluminium light box
36x27 cm
2026




Re-Readings; Oil is Never Visible but Always Present
Digital photo montage, UV print on backlit fabric in a customised aluminium light box
108x27 cm
2026




Re-Readings: They Talk to Me About Progress; Oil is Never Visible but Always Present; Access Points
Installation View at Castello di Rivoli Museo d’Arte Contemporanea, Turin. Photo: Sebastiano Pellion di Persano.


Layering photographs and documents from Italy’s National Oil Company (ENI) with excerpts from texts—such as Aime Cesaire’s Discourse On Colonialism and Giulia Scotto’s Between Visible and Invisible: ENI and the Building of the African Petroleumscape—the three light boxes of Re-Readings reflect on the interplay between the company’s industrial ambitions and its employment of neo-colonial strategies in recently independent or decolonised countries in Africa and West Asia. The work examines ENI’s extensive role in “The Big Africa Project” to supply Italian factories with African oil reserves and to prolong a substantial colonial presence abroad.